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横田大辅

Daisuke Yokota

基本资料

生卒
? 生
国籍或地区
日本

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

把照片翻拍、煮过、刮花、再印,直到剩下的大多是颗粒与化学。《Back Yard》(2012)、《Vertigo》(2014)和《Linger》(2014)把照片当作劣化的信号:一具身体、一个房间、一道光,勉强从过程中幸存。

色彩
以黑白为主;彩色版本带污渍与偏色。
构图
几乎读不出的碎片、贴近的身体、黑暗的房间。
光线
先闪光,再在暗房里被毁掉。
影调
极端反差、烧掉的高光、化学的雾。
质感
巨大的颗粒、划痕、污渍、模糊。
情绪
溶解、夜的、直击内脏。

资料来源

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Photography Library › Photographers

Daisuke Yokota

横田大辅

Facts

Life
born ?
Nationality
Japanese

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

Photographs rephotographed, boiled, scratched and reprinted until they are mostly grain and chemistry. Back Yard (2012), Vertigo (2014) and Linger (2014) are the picture as a degraded signal: a body, a room, a light, barely surviving the process.

Colour
Mostly black and white; colour versions stained and shifted.
Composition
Barely legible fragments, close bodies, dark rooms.
Light
Flash, then destroyed in the darkroom.
Tone
Extreme contrast, blown highlights, chemical fog.
Texture
Massive grain, scratches, stains, blur.
Mood
Dissolving, nocturnal, visceral.

Sources

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