摄影资料馆 › 摄影师
细江英公
Eikoh Hosoe · 細江英公
基本资料
- 生卒
- 1933 年 3 月 18 日 – 2024 年 9 月 16 日
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
摄影即剧场。《男与女》（1961）把身体变成黑色的形，《蔷薇刑》（1963）让三岛由纪夫扮成巴洛克式的殉道者，《镰鼬》（1969）让舞踏舞者在东北的稻田里撒野。
- 色彩
- 黑白，常常走极端。
- 构图
- 身体被裁成形状，摆布的舞台画面，狂野的角度。
- 光线
- 硬、戏剧化、高反差。
- 影调
- 大块的深黑、烧掉的白，灰很少。
- 质感
- 颗粒、曝光反转，动作作品里有晃动。
- 情绪
- 情欲、神话、剧场。
资料来源
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Photography Library › Photographers
Eikoh Hosoe
细江英公 · 細江英公
Facts
- Life
- 18 March 1933 – 16 September 2024
- Nationality
- Japanese
Books and writings
Photobooks
- Man and Woman · 1961
High-contrast bodies made with the butoh dancer Tatsumi Hijikata and others; Hosoe's first book.
- Ordeal by Roses · 1963
Thirty-nine photographs with Yukio Mishima as model, who also wrote the preface.
- Kamaitachi · 1969
Tatsumi Hijikata as the legendary kamaitachi in rural Akita; designed by Ikko Tanaka.
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Photography as theatre. Man and Woman (1961) made bodies into black shapes, Ordeal by Roses (1963) cast Mishima as a baroque martyr, and Kamaitachi (1969) let a butoh dancer run wild through Tohoku rice fields.
- Colour
- Black and white, often extreme.
- Composition
- Bodies cropped into shapes, staged tableaux, wild angles.
- Light
- Hard, theatrical, high contrast.
- Tone
- Deep black masses, blown whites, little grey.
- Texture
- Grain, solarisation, blur in the action pieces.
- Mood
- Erotic, mythic, theatrical.
Sources
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