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恩斯特·哈斯

Ernst Haas · Ernst Haas

基本资料

生卒
1921 年 3 月 2 日 – 1986 年 9 月 12 日
国籍或地区
其他国家和地区

著作与自传

摄影画册

以上只列初版年份;再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述,不等于经独立核实的史实。

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

彩色摄影的先驱。他用慢速快门、Kodachrome 和倒影,把城市变成流动的色块与动态。1953 年《生活》杂志刊登了他的纽约彩色专题,比彩色摄影被艺术界接受早了许多年。

色彩
饱和而温暖的反转片色彩,常由一种主色占满画面。
构图
松弛、绘画性,主体消融在图案和拖影里。
光线
低角度的太阳、逆光、湿漉漉的街道和霓虹。
影调
浓郁的暗部与发光的高光。
质感
动态模糊和倒影取代了细节。
情绪
热烈、抒情、不安分。

资料来源

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Photography Library › Photographers

Ernst Haas

恩斯特·哈斯

Facts

Life
2 March 1921 – 12 September 1986
Nationality
Austrian-American

Books and writings

Photobooks

First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

A pioneer of colour photography who used slow shutter speeds, Kodachrome and reflections to turn the city into fields of colour and motion. Life magazine ran his New York colour essay in 1953, years before colour was accepted as art.

Colour
Saturated, warm slide-film colour, often one dominant hue filling the frame.
Composition
Loose, painterly; subject dissolves into pattern and streak.
Light
Low sun, backlight, wet streets and neon.
Tone
Rich darks with glowing highlights.
Texture
Motion blur and reflections replace fine detail.
Mood
Exuberant, lyrical, restless.

Sources

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