摄影资料馆 › 摄影师
何藩
Fan Ho
基本资料
- 生卒
- 1931 年 10 月 8 日 – 2016 年 6 月 19 日
- 国籍或地区
- 其他国家和地区
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
1950、60 年代的香港，一个光的剧场：一束阳光里的孤单身影、横切过小巷的烟、变成纯粹几何的楼梯与栏杆。他后来成为电影导演，七十多岁时又回到了这些底片。
- 色彩
- 黑白。
- 构图
- 强烈的对角线、楼梯、栏杆；一个小小的人置于几何的空无中。
- 光线
- 一束硬朗的阳光，或穿过烟雾的逆光；其他一切都是暗的。
- 影调
- 极端反差：墨黑的阴影和一个明亮的形状。
- 质感
- 平滑、图形化，常裁得很紧。
- 情绪
- 戏剧性、孤独、电影感。
资料来源
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Photography Library › Photographers
Fan Ho
何藩 · 何藩
Facts
- Life
- 8 October 1931 – 19 June 2016
- Nationality
- Hong Kong (born in Shanghai)
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Hong Kong in the 1950s and 60s as a theatre of light: a single figure in a shaft of sun, smoke cutting across an alley, stairs and railings turned into pure geometry. Later a film director, he returned to the negatives in his seventies.
- Colour
- Black and white.
- Composition
- Strong diagonals, stairs, railings; one small figure placed in a geometric void.
- Light
- A single hard beam of sunlight or backlight through smoke; everything else dark.
- Tone
- Extreme contrast: ink-black shadows and one bright shape.
- Texture
- Smooth, graphic, often cropped tight.
- Mood
- Dramatic, lonely, cinematic.
Sources
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