摄影资料馆 › 摄影师

桥口让二

George Hashiguchi · 橋口譲二

基本资料

生卒
1949 年 生
国籍或地区
日本

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

带相机的社会学家。《十七岁》(1988)和《对子》(1988)拍普通日本人站在自己的房间和工作场所里,全身,看着镜头,每人附一段短短的话。朴素、平等、精确。

色彩
黑白,均匀。
构图
全身、正面,环境被仔细地纳入。
光线
现场光,平而诚实。
影调
中等反差,一切都读得清。
质感
中画幅的细节。
情绪
尊重、中立、安静的社会学。

资料来源

上传一张照片,看看你的摄影语言最接近谁

Photography Library › Photographers

George Hashiguchi

桥口让二 · 橋口譲二

Facts

Life
born 1949
Nationality
Japanese

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

A sociologist with a camera. Seventeen (1988) and Couples (1988) photographed ordinary Japanese standing in their own rooms and workplaces, full length, looking at the lens, with a short statement from each. Plain, equal, exact.

Colour
Black and white, even.
Composition
Full-length, frontal, the environment carefully included.
Light
Available light, flat and honest.
Tone
Medium contrast, everything readable.
Texture
Medium format detail.
Mood
Respectful, neutral, quietly sociological.

Sources

Upload a photo and see whose language yours is closest to