摄影资料馆 › 摄影师
格利高里·克鲁德森
Gregory Crewdson
基本资料
- 生卒
- 1962 年 9 月 26 日 生
- 国籍或地区
- 美国
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
每张照片都像拍电影一样制作：剧组、摇臂、降雨机和演员，只为拍下一帧暮色里的美国小镇。《暮光》（2002）和《玫瑰之下》（2008）把郊区街道变成一个安静而令人不安的场景。
- 色彩
- 电影感的色彩：屋外是蓝色的黄昏，屋里是暖色的钨丝灯。
- 构图
- 宽阔、对称、全景深的场景，每个角落都经过安排。
- 光线
- 暮色加上来自四面八方的电影灯光。
- 影调
- 反差浓郁，画面里的灯在发光。
- 质感
- 极其锐利，细节经过合成。
- 情绪
- 像梦一样、忧郁、怪异。
资料来源
上传一张照片，看看你的摄影语言最接近谁
Photography Library › Photographers
Gregory Crewdson
格利高里·克鲁德森
Facts
- Life
- born 26 September 1962
- Nationality
- American
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Single photographs produced like feature films: crews, cranes, rain machines and actors, all for one frame of small-town America at twilight. Twilight (2002) and Beneath the Roses (2008) turn a suburban street into a scene of quiet dread.
- Colour
- Cinematic colour: blue dusk outside, warm tungsten inside.
- Composition
- Wide, symmetrical, deep-focus tableaux; every corner arranged.
- Light
- Twilight mixed with film lighting from many sources.
- Tone
- Rich contrast, glowing practical lights.
- Texture
- Extremely sharp, composited detail.
- Mood
- Dreamlike, melancholy, uncanny.
Sources
Upload a photo and see whose language yours is closest to
