摄影资料馆 › 摄影师
滨谷浩
Hiroshi Hamaya · 濱谷浩
基本资料
- 生卒
- 1915 年 3 月 28 日 – 1999 年 3 月 6 日
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
《雪国》（1956）与《背面的日本》（1957）耐心而敬重地记录了日本海一侧的仪式和冬天。他后来成为玛格南图片社的第一位日本供稿摄影师，并转向广阔的自然风景。
- 色彩
- 以黑白为主；后期的彩色风景自然偏冷。
- 构图
- 人物小小地置于宽广的冬天；仪式完整地呈现。
- 光线
- 雪光，阴天，柔而亮。
- 影调
- 长灰阶，雪保持明亮。
- 质感
- 细腻、细节丰富，雪与稻草的质感。
- 情绪
- 敬重、耐心、元素般。
资料来源
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Photography Library › Photographers
Hiroshi Hamaya
滨谷浩 · 濱谷浩
Facts
- Life
- 28 March 1915 – 6 March 1999
- Nationality
- Japanese
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Snow Country (1956) and Japan's Back Coast (1957) recorded the rituals and winters of the Japan Sea side with patience and respect. He later became Magnum's first Japanese contributor and turned to vast nature landscapes.
- Colour
- Mostly black and white; later colour landscapes are natural and cool.
- Composition
- Figures small in a wide winter; ceremonies seen whole.
- Light
- Snow light, overcast, soft and bright.
- Tone
- Long grey scale, snow kept luminous.
- Texture
- Fine, detailed, textured snow and straw.
- Mood
- Respectful, patient, elemental.
Sources
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