摄影资料馆 › 摄影师
杉本博司
Hiroshi Sugimoto
基本资料
- 生卒
- 1948 年 2 月 23 日 生
- 国籍或地区
- 日本
著作与自传
随笔、理论与访谈
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
被地平线精确平分的海景、曝光一整部电影直到发白的银幕、看起来像活着的立体模型。大画幅黑白被简化为时间、光和一条线。
- 色彩
- 黑白。
- 构图
- 对称、一条地平线、彻底的空无；居中正面。
- 光线
- 弥散的环境光，长曝光。
- 影调
- 细微的灰与渐变，没有刺眼的反差。
- 质感
- 平滑、无颗粒，有时刻意失焦。
- 情绪
- 无时间感、冥想、观念性。
资料来源
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Photography Library › Photographers
Hiroshi Sugimoto
杉本博司 · 杉本博司
Facts
- Life
- born 23 February 1948
- Nationality
- Japanese
Books and writings
Essays, theory and interviews
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Seascapes divided exactly in half by the horizon, cinema screens exposed for the whole film until they glow white, dioramas that look alive. Large-format black and white reduced to time, light and a line.
- Colour
- Black and white.
- Composition
- Symmetry, a single horizon, total emptiness; centred frontal views.
- Light
- Diffuse, ambient, long exposures.
- Tone
- Subtle greys with gradual gradients; no harsh contrast.
- Texture
- Smooth, grainless, sometimes deliberately out of focus.
- Mood
- Timeless, meditative, conceptual.
Sources
Upload a photo and see whose language yours is closest to
