摄影资料馆 › 摄影师
奈良原一高
Ikko Narahara
基本资料
- 生卒
- 1931 年 11 月 3 日 – 2020 年 1 月 19 日
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
《人间的土地》（1956）和《王国》（1958）在日本发明了个人纪实：矿岛、火山下的村庄、修道院和女子监狱，都是封闭的世界。《欧洲·静止的时间》（1967）与《消失的时间》（1975）把同样的静止带到了海外。
- 色彩
- 黑白；后期的美国作品是清澈偏冷的彩色。
- 构图
- 正式，常对称，人物置于封闭空间中。
- 光线
- 锐利的方向光，深影。
- 影调
- 高反差，灰阶优雅。
- 质感
- 干净、精确。
- 情绪
- 静止、存在主义、优雅。
资料来源
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Photography Library › Photographers
Ikko Narahara
奈良原一高 · 奈良原一高
Facts
- Life
- 3 November 1931 – 19 January 2020
- Nationality
- Japanese
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Human Land (1956) and Domains (1958) invented the personal documentary in Japan: a mining island, a village under a volcano, a monastery and a women's prison as closed worlds. Europe: Where Time Has Stopped (1967) and Where Time Has Vanished (1975) carried the same stillness abroad.
- Colour
- Black and white; later American work in clear, cool colour.
- Composition
- Formal, often symmetrical, a figure placed in a closed space.
- Light
- Sharp directional light, deep shade.
- Tone
- High contrast with elegant greys.
- Texture
- Clean, precise.
- Mood
- Still, existential, elegant.
Sources
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