摄影资料馆 › 摄影师
北井一夫
Kazuo Kitai
基本资料
- 生卒
- 1944 年 12 月 26 日 生
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
获奖
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
《抵抗》（1965）在学生街垒的内部拍摄；《三里塚》（1971）与抵抗成田机场的农民站在一起；《去村里》（1980）带着广角镜头和一颗柔软的心走遍日本乡村。
- 色彩
- 黑白，村落系列灰而温和。
- 构图
- 广角，贴近人，一条路通向远方。
- 光线
- 阴天的日光，昏暗的室内。
- 影调
- 反差柔和，暗部打开，灰很多。
- 质感
- 颗粒、轻微晃动、135。
- 情绪
- 同在、温柔、安静的愤怒。
资料来源
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Photography Library › Photographers
Kazuo Kitai
北井一夫 · 北井一夫
Facts
- Life
- born 26 December 1944
- Nationality
- Japanese
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Awards
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Resistance (1965) was shot from inside the student barricades; Sanrizuka (1971) stood with the farmers fighting Narita airport; To the Villages (1980) walked rural Japan with a wide lens and a soft heart.
- Colour
- Black and white, grey and gentle in the village work.
- Composition
- Wide lens, close to people, the road leading away.
- Light
- Overcast daylight, dim interiors.
- Tone
- Soft contrast, open shadows, lots of grey.
- Texture
- Grain, slight blur, 35mm.
- Mood
- Solidarity, tenderness, quiet anger.
Sources
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