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田原桂一

Keiichi Tahara

基本资料

生卒
1951 年 8 月 20 日 – 2017 年 6 月 6 日
国籍或地区
日本

获奖

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

1972 年移居巴黎,把那里的光当作一种物质来拍。《窗》(1973–1980)拍窗户和穿过它们的坚硬欧洲日光;《Éclats》则把那束光打碎成碎片。

色彩
黑白,黑底上的高光。
构图
窗框、光束、边缘;光的抽象几何。
光线
硬日光本身就是主体,周围深黑。
影调
极端反差,纯白与纯黑。
质感
锐利的边缘、玻璃、光束里的灰尘。
情绪
朴素、冥想、发光。

资料来源

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Photography Library › Photographers

Keiichi Tahara

田原桂一 · 田原桂一

Facts

Life
20 August 1951 – 6 June 2017
Nationality
Japanese

Awards

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

He moved to Paris in 1972 and photographed the light there as if it were a material. Fenêtre (1973–1980) is windows and the hard European daylight that cut through them; Éclats scattered that light into shards.

Colour
Black and white, high key against black.
Composition
Window frames, beams, edges; abstract geometry of light.
Light
Hard sunlight as the subject, deep black around it.
Tone
Extreme contrast, pure white and pure black.
Texture
Sharp edges, glass, dust in the beam.
Mood
Austere, meditative, luminous.

Sources

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