摄影资料馆 › 摄影师
小石清
Kiyoshi Koishi
基本资料
- 生卒
- 1908 年 3 月 26 日 – 1957 年 7 月 7 日
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
1930 年代大阪的现代主义者。《初夏神经》（1933）把城市变成曝光反转、拼贴、发烧般的碎片：相机不是窗户，而是一套神经系统。
- 色彩
- 黑白，常用曝光反转或负像印放。
- 构图
- 拼贴、对角线、从整体里切出的碎片。
- 光线
- 硬的棚光与街光，影调被颠倒。
- 影调
- 高反差，带反转与色调分离的段落。
- 质感
- 层叠、拼贴，偶有多重曝光。
- 情绪
- 焦虑、摩登、实验。
资料来源
上传一张照片，看看你的摄影语言最接近谁
Photography Library › Photographers
Kiyoshi Koishi
小石清 · 小石清
Facts
- Life
- 26 March 1908 – 7 July 1957
- Nationality
- Japanese
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Osaka's modernist of the 1930s. Early Summer Nerves (1933) turned the city into solarised, montaged, feverish fragments: a camera used as a nervous system rather than a window.
- Colour
- Black and white, often solarised or printed in negative.
- Composition
- Montage, diagonals, fragments cut from the whole.
- Light
- Hard studio and street light, reversed tones.
- Tone
- High contrast with inverted and posterised passages.
- Texture
- Layered, collaged, sometimes double exposed.
- Mood
- Anxious, modern, experimental.
Sources
Upload a photo and see whose language yours is closest to
