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深濑昌久

Masahisa Fukase · 深瀬昌久

基本资料

生卒
1934 年 2 月 25 日 – 2012 年 6 月 9 日
国籍或地区
日本

著作与自传

摄影画册

以上只列初版年份;再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述,不等于经独立核实的史实。

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

《鸦》作于婚姻结束之后,常被称为过去半个世纪最伟大的摄影书:灰色天空里的黑鸟,模糊、颗粒粗,一本伪装成自然摄影的悲伤日记。他拍的一切最终都关于他自己。

色彩
黑白。
构图
空灰背景前的黑色形状;剪影;失衡。
光线
黄昏、阴天、冬天;夜里对鸟用闪光。
影调
沉重的黑、浑浊的灰、极少的高光。
质感
粗颗粒、动态模糊、柔焦。
情绪
悲伤、孤绝、执念。

资料来源

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Photography Library › Photographers

Masahisa Fukase

深濑昌久 · 深瀬昌久

Facts

Life
25 February 1934 – 9 June 2012
Nationality
Japanese

Books and writings

Photobooks

First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

Ravens, made after his marriage ended, is often called the greatest photobook of the past half century: black birds in grey skies, blurred and grainy, a diary of grief disguised as nature photography. Everything he shot was ultimately about himself.

Colour
Black and white.
Composition
Dark shapes against empty grey; silhouettes; off-balance.
Light
Dusk, overcast, winter; flash on birds at night.
Tone
Heavy blacks, murky greys, few highlights.
Texture
Coarse grain, motion blur, soft focus.
Mood
Grief, isolation, obsession.

Sources

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