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蜷川实花

Mika Ninagawa · 蜷川実花

基本资料

生卒
1972 年 10 月 18 日 生
国籍或地区
日本

获奖

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

被推到饱和之外的色彩:花、金鱼和穿和服的女性淹没在红、粉与金里,带着闪粉和霓虹。极繁、流行、毫不掩饰地美;她也是电影导演。

色彩
最大饱和度,红与粉为主,多种色相同时出现。
构图
从边到边都是图案;贴近、装饰性。
光线
明亮、平光或闪光;闪烁。
影调
明亮、反差适中,没有深影。
质感
清晰、光泽、精致。
情绪
狂喜、流行、颓靡之美。

资料来源

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Photography Library › Photographers

Mika Ninagawa

蜷川实花 · 蜷川実花

Facts

Life
born 18 October 1972
Nationality
Japanese

Awards

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

Colour pushed past saturation: flowers, goldfish and women in kimono drowned in red, pink and gold, with glitter and neon. Maximalist, pop and unapologetically beautiful; also a film director.

Colour
Maximum saturation, red and pink dominant, many hues at once.
Composition
Filled to the edges with pattern; close, decorative.
Light
Bright, flat or flash; sparkle.
Tone
Bright, moderate contrast, no deep shadow.
Texture
Sharp, glossy, polished.
Mood
Euphoric, pop, decadent.

Sources

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