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柳美和

Miwa Yanagi · やなぎみわ

基本资料

生卒
1967 年 生
国籍或地区
日本

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

《电梯小姐》(1993–1999)把穿制服的年轻女性复制进光洁而空荡的百货公司空间;《我的祖母们》(2000– )请年轻女性想象五十年后的自己,再把画面搭建出来;《童话》转向黑白的剧场。

色彩
光洁、偏冷的商业彩色;后期是生硬的黑白。
构图
对称、数字合成、人物重复。
光线
均匀、人工、无影。
影调
干净、精致、中等反差。
质感
无瑕、数字、搭建出来的。
情绪
诡异、女性主义、剧场。

资料来源

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Photography Library › Photographers

Miwa Yanagi

柳美和 · やなぎみわ

Facts

Life
born 1967
Nationality
Japanese

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

Elevator Girls (1993–1999) multiplied uniformed young women through glossy, empty department-store spaces; My Grandmothers (2000–) asked young women to imagine themselves fifty years on and built the picture; Fairy Tale turned to black-and-white theatre.

Colour
Glossy, cool commercial colour; later stark black and white.
Composition
Symmetrical, digitally built, figures repeated.
Light
Even, artificial, shadowless.
Tone
Clean, polished, medium contrast.
Texture
Flawless, digital, constructed.
Mood
Uncanny, feminist, theatrical.

Sources

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