摄影资料馆 › 摄影师
宫本隆司
Ryuji Miyamoto · 宮本隆司
基本资料
- 生卒
- 1947 年 生
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
获奖
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
《建筑默示录》（1988）：拆到一半的建筑，房间向天空敞开。九龙城寨、流浪者的《纸板屋》和神户地震，延续了同一个问题：当建筑失败时，它还是什么。
- 色彩
- 黑白，大画幅。
- 构图
- 正面的立面、有序的混乱，每块砖都在位置上。
- 光线
- 阴天的日光，不渲染。
- 影调
- 完整的长灰阶，深处有细节。
- 质感
- 细节极多：瓦砾、电线、纸板。
- 情绪
- 挽歌式、精确、不煽情。
资料来源
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Photography Library › Photographers
Ryuji Miyamoto
宫本隆司 · 宮本隆司
Facts
- Life
- born 1947
- Nationality
- Japanese
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Awards
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Architectural Apocalypse (1988): buildings caught halfway through demolition, their rooms open to the sky. Kowloon Walled City, the homeless shelters of Cardboard Houses and the Kobe earthquake continued the same question of what a building is when it fails.
- Colour
- Black and white, large format.
- Composition
- Frontal elevations, ordered chaos, every brick in place.
- Light
- Overcast daylight, no drama.
- Tone
- Full, long grey scale with deep detail.
- Texture
- Extremely detailed: rubble, wires, cardboard.
- Mood
- Elegiac, precise, unsentimental.
Sources
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