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长野重一

Shigeichi Nagano · 長野重一

基本资料

生卒
? – 2019 年 1 月 30 日
国籍或地区
日本

著作与自传

摄影画册

以上只列初版年份;再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述,不等于经独立核实的史实。

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

东京的长期观察者。从 1950 年代的上班族和废墟,到《遥远的视线》(1989)里的玻璃大楼,他退后几步看着这座城市变化,从不渲染。

色彩
黑白,中性。
构图
中景,人和建筑比例恰当。
光线
日光,常是阴天。
影调
中等反差,灰阶完整。
质感
细腻、干净。
情绪
疏离、略带苦笑、有感情。

资料来源

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Photography Library › Photographers

Shigeichi Nagano

长野重一 · 長野重一

Facts

Life
? – 30 January 2019
Nationality
Japanese

Books and writings

Photobooks

First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

Tokyo's long-distance observer. From the salarymen and ruins of the 1950s to the glass towers of Distant Gaze (1989), he watched the city change from a few steps back, never dramatising it.

Colour
Black and white, neutral.
Composition
Medium distance, people and architecture in proportion.
Light
Daylight, often overcast.
Tone
Moderate contrast, full greys.
Texture
Fine, clean.
Mood
Detached, wry, affectionate.

Sources

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