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福原信三
Shinzo Fukuhara · 福原 信三
基本资料
- 生卒
- 1883 年 7 月 25 日 – 1948 年 11 月 4 日
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
画意摄影家、「光与其谐调」的理论者，也是资生堂的掌门人。《巴黎与塞纳河》（1922）以及松江、武藏野的风景，都是柔和的影调画面，雾与水承担了大部分表达。
- 色彩
- 单色，暖调的相纸。
- 构图
- 开阔的地平线、倒影，一棵孤树或一只船。
- 光线
- 阴天、雾气、漫射。
- 影调
- 低反差，长而温柔的灰阶。
- 质感
- 柔焦、平滑、有空气感。
- 情绪
- 宁静、沉思、抒情。
资料来源
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Photography Library › Photographers
Shinzo Fukuhara
福原信三 · 福原 信三
Facts
- Life
- 25 July 1883 – 4 November 1948
- Nationality
- Japanese
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Pictorialist, theorist of 'light and its harmony', and the head of Shiseido. Paris et la Seine (1922) and his Matsue and Musashino landscapes are soft, tonal pictures where mist and water do most of the work.
- Colour
- Monochrome, warm-toned prints.
- Composition
- Open horizons, reflections, a lone tree or boat.
- Light
- Overcast, misty, diffused.
- Tone
- Low contrast, long gentle grey scale.
- Texture
- Soft focus, smooth, atmospheric.
- Mood
- Serene, contemplative, lyrical.
Sources
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