摄影资料馆 › 摄影师
本间隆
Takashi Homma · ホンマ タカシ
基本资料
- 生卒
- 1962 年 8 月 23 日 生
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
获奖
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
《东京郊外》：新城、空白的公寓楼、无聊的少年，在平淡均匀的光线里，色彩中性到像没有风格。定义了 1990 年代日本摄影的面无表情之风。
- 色彩
- 中性、略冷、柔和；没有任何饱和。
- 构图
- 正面、水平、建筑式；主体居于平面空间的中央。
- 光线
- 阴天、无影、均匀。
- 影调
- 低反差、明亮的暗部，亮而不发光。
- 质感
- 干净、清晰的大画幅或中画幅。
- 情绪
- 疏离、郊区、平静。
资料来源
上传一张照片，看看你的摄影语言最接近谁
Photography Library › Photographers
Takashi Homma
本间隆 · ホンマ タカシ
Facts
- Life
- born 23 August 1962
- Nationality
- Japanese
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Awards
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
Tokyo Suburbia: new towns, blank apartment blocks and bored teenagers in flat, even light, with colour so neutral it reads as an absence of style. The deadpan look that defined 1990s Japanese photography.
- Colour
- Neutral, slightly cool, muted; nothing saturated.
- Composition
- Frontal, level, architectural; subject centred in flat space.
- Light
- Overcast, shadowless, even.
- Tone
- Low contrast, open shadows, bright but not glowing.
- Texture
- Clean, sharp, large-format or medium-format.
- Mood
- Detached, suburban, calm.
Sources
Upload a photo and see whose language yours is closest to
