摄影资料馆 › 摄影师
中平卓马
Takuma Nakahira · 中平 卓馬
基本资料
- 生卒
- 1938 年 7 月 6 日 – 2015 年 9 月 1 日
- 国籍或地区
- 日本
著作与自传
摄影画册
随笔、理论与访谈
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
《挑衅》的理论者，也是其中最激进的影像作者。《为了该来的语言》（1970）是夜、颗粒与眩光；在烧掉自己的底片并失去记忆之后，他带着平直、竖幅的彩色照片回来，拍眼前的一切。
- 色彩
- 早期黑白；晚期是平直、饱和、闪光灯照亮的彩色。
- 构图
- 倾斜的碎片，之后是填满边缘的僵硬竖幅。
- 光线
- 路灯、车灯，后期是硬日光和闪光。
- 影调
- 早期压黑与眩光；晚期平而亮。
- 质感
- 早期重颗粒与晃动，后期锐利而直白。
- 情绪
- 狂热，然后固执地陈述事实。
资料来源
上传一张照片，看看你的摄影语言最接近谁
Photography Library › Photographers
Takuma Nakahira
中平卓马 · 中平 卓馬
Facts
- Life
- 6 July 1938 – 1 September 2015
- Nationality
- Japanese
Books and writings
Photobooks
Essays, theory and interviews
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
The theorist of Provoke and its most radical image-maker. For a Language to Come (1970) is night, grain and glare; after burning his archive and losing his memory, he reappeared with flat, vertical colour pictures of whatever was in front of him.
- Colour
- Early black and white; late work in plain, saturated, flash-lit colour.
- Composition
- Tilted fragments, then rigid vertical frames filled edge to edge.
- Light
- Street lamps, headlights, later hard daylight and flash.
- Tone
- Crushed blacks and flare early; flat and bright late.
- Texture
- Heavy grain and blur, then sharp and literal.
- Mood
- Feverish, then stubbornly factual.
Sources
Upload a photo and see whose language yours is closest to
