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特伦特·帕克

Trent Parke

基本资料

生卒
1971 年 3 月 20 日 生
国籍或地区
其他国家和地区

著作与自传

摄影画册

以上只列初版年份;再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述,不等于经独立核实的史实。

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

把光当作一种物理力量:悉尼的行人被烧成白色剪影,阴影黑得像太空,颗粒像沙子。他的黑白是当代纪实摄影中最极端的之一。

色彩
以黑白为主,彩色作品保留了同样暴烈的光。
构图
人物被光或暗孤立出来,形状简单而标志性。
光线
极端逆光,刻意让高光过曝。
影调
接近纯黑与纯白,灰很少。
质感
重颗粒、眩光、灰尘。
情绪
末世感、狂喜、如梦。

资料来源

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Photography Library › Photographers

Trent Parke

特伦特·帕克

Facts

Life
born 20 March 1971
Nationality
Australian

Books and writings

Photobooks

First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

Light as a physical force: Sydney pedestrians burnt to white silhouettes, shadows as black as space, grain like sand. His black and white is among the most extreme in contemporary documentary photography.

Colour
Mostly black and white; the colour work keeps the same violence of light.
Composition
Figures isolated by light or dark; often simple, iconic shapes.
Light
Extreme backlight, blown highlights used deliberately.
Tone
Near-pure blacks and whites, little grey.
Texture
Heavy grain, flare, dust.
Mood
Apocalyptic, ecstatic, dreamlike.

Sources

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