FilmAnalysisFilmAnalysis · 照片背后的故事
从照片出发，读一段摄影史。故事和照片之间只是阅读上的联想，不代表照片的作者、相机或实际用的胶卷。
1975 年，罗切斯特的乔治·伊士曼之家举办了《新地形学》展览，副题是「人为改变的风景的照片」。参展者拍的是住宅区、道路和停车场，而不是壮丽的自然。
罗伯特·亚当斯和刘易斯·巴尔茨都在其中。他们多用平实的正面构图，把人留在土地上的痕迹拍得清清楚楚。
散步时留意一段普通的路，把房子、空地和天空都当作画面的一部分。先别找壮观的风景，试着拍清楚你每天经过的地方。
「不妨试试」是编辑设计的练习，不是史实。
故事卡与徽章分开收藏。为照片评分仍按原有规则收集徽章。
FilmAnalysis · Stories behind the frame
Read a little photographic history. These connections suggest ways to look; they say nothing about authorship, cameras or the physical film stock.
In 1975 George Eastman House mounted New Topographics, subtitled Photographs of a Man-Altered Landscape. Its photographers turned away from grand nature to housing tracts, roads and parking lots.
Robert Adams and Lewis Baltz were among them. Their mostly plain, frontal pictures show clearly the marks people leave on land.
On a walk, pay attention to an ordinary road. Treat buildings, empty lots and sky as parts of the frame. Instead of searching for a grand view, try to photograph clearly a place you pass every day.
"Try this" is an exercise written by the editors, not history.
Story cards have their own shelf. Rating photographs still collects badges under the existing rules.