1976 年的一个晚上,杉本博司想到一个画面:把一整部电影拍进同一张照片,银幕会变成一块发亮的白色长方形。
他后来在电影院里把相机快门一直开着,让整部电影的光都落在同一张底片上,这就是他的《剧场》系列。照片里的银幕一片空白,四周的剧场被它照亮。
不妨试试
找一个光线稳定的场景,用尽可能长的曝光拍一张,看看移动的东西在照片里留下了什么。
「不妨试试」是编辑设计的练习,不是史实。
FilmAnalysis · 照片背后的故事
从照片出发,读一段摄影史。故事和照片之间只是阅读上的联想,不代表照片的作者、相机或实际用的胶卷。
1976 年的一个晚上,杉本博司想到一个画面:把一整部电影拍进同一张照片,银幕会变成一块发亮的白色长方形。
他后来在电影院里把相机快门一直开着,让整部电影的光都落在同一张底片上,这就是他的《剧场》系列。照片里的银幕一片空白,四周的剧场被它照亮。
找一个光线稳定的场景,用尽可能长的曝光拍一张,看看移动的东西在照片里留下了什么。
「不妨试试」是编辑设计的练习,不是史实。
故事卡与徽章分开收藏。为照片评分仍按原有规则收集徽章。
FilmAnalysis · Stories behind the frame
Read a little photographic history. These connections suggest ways to look; they say nothing about authorship, cameras or the physical film stock.
One night in 1976 Hiroshi Sugimoto pictured a whole film captured in a single photograph, with the screen turned into a glowing white rectangle.
He went on to keep the shutter open in cinemas so that a whole film's light fell on one negative: the start of his Theaters series. The screen is blank, and the theatre around it is lit by it.
Find a scene with steady light and make the longest exposure you can. See what moving things leave in the picture.
"Try this" is an exercise written by the editors, not history.
Story cards have their own shelf. Rating photographs still collects badges under the existing rules.