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盖瑞·温诺格兰德

Garry Winogrand · Garry Winogrand

基本资料

生卒
1928 年 1 月 14 日 – 1984 年 3 月 19 日
国籍或地区
美国
题材
街头

为什么是这个图标? 已核实资料

动物园的动物:他生前出版的第一本摄影集名为《The Animals》(1969)。

图标是 FilmAnalysis 原创绘制的普通物件,不是对某一张照片的复制。图标只是进入这位摄影师的一个入口,说明以下列资料为准。

重要画册与著作 已核实资料

摄影画册

以上只列初版年份;再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述,不等于经独立核实的史实。

生平与著作年表已核实资料 圆点是核对过的年份:生卒、著作的初版、获奖。位置只精确到年;再版和译本不在图上。点一下圆点进入那本书或那个奖项。
19201930194019501960197019801990生平出生,1928 年逝世,1984 年著作初版动物,1969 年
用表格看同样的内容
年份事项内容
1928出生出生
1969著作初版动物
1984逝世逝世

摄影风格 主观解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

极其多产的街头摄影师,去世时留下两千多卷没冲洗的胶卷。他用广角镜头斜着伸进人群,画面里挤满同时发生的动作。他说,拍照是为了看看事物被拍下来是什么样子。

色彩
黑白。
构图
倾斜的地平线、广角、溢出的画面,从边到边都是事件。
光线
硬朗的日光,活动现场用闪光灯。
影调
中高反差。
质感
Tri-X 的颗粒,清晰。
情绪
有活力、讽刺、不安分。

反复出现的画面

代表作品

相关摄影师

风格相近的摄影师 主观解读

按 FilmAnalysis 编辑的风格估计排列,说的是视觉语言接近,不代表师承、团体或相互影响。

维基百科

资料来源

上传一张照片,看看你的摄影语言最接近谁

Photography Library › Photographer Encyclopedia

Garry Winogrand

盖瑞·温诺格兰德

Facts

Life
14 January 1928 – 19 March 1984
Nationality
American
Genres
street

Why this icon? Verified record

A zoo animal: The first of the monographs he published in his lifetime is The Animals (1969).

The icon is an original FilmAnalysis drawing of an ordinary object, not a copy of any photograph. It is a way into the photographer’s work; the explanation follows the sources below.

Major photobooks and writings Verified record

Photobooks

First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.

Life and books in timeVerified record Dots are verified years: birth and death, first editions, awards. Positions are whole years; reprints and translations are not drawn. A dot opens the book or the award.
19201930194019501960197019801990LifeBorn, 1928Died, 1984First editionsThe Animals, 1969
The same as a table
YearWhatItem
1928BirthBorn
1969First editionThe Animals
1984DeathDied

Photographic style Interpretation

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

A hugely prolific street photographer who left more than two thousand rolls of undeveloped film at his death; wide lens tilted into crowds, frames crammed with simultaneous gestures. He photographed to find out what things looked like photographed.

Colour
Black and white.
Composition
Tilted horizons, wide angle, overflowing frames, edge-to-edge incident.
Light
Hard daylight, flash at events.
Tone
Medium-high contrast.
Texture
Tri-X grain, sharp.
Mood
Energetic, ironic, restless.

Recurring motifs

Representative works

Related photographers

Photographers with a similar style Interpretation

Ordered by the FilmAnalysis editors’ style estimates: closeness of visual language, not a teacher, a group or an influence.

Wikipedia

Sources

Upload a photo and see whose language yours is closest to