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北岛敬三

Keizo Kitajima · 北島敬三

基本资料

生卒
1954 年 生
国籍或地区
日本

获奖

风格解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

《写真特急便 东京》(1979)是每月一册、闪光照亮的街头风暴;《NEW YORK》(1982)把它硬化成朋克式的一道劈痕。然后走向反面:《USSR 1991》和《PORTRAITS》系列,正式、彩色、精确。

色彩
早期黑白;后期在素背景前的中性、精确的彩色。
构图
早期倾斜、贴近、混乱;后期正面、固定。
光线
街头的闪光,之后是平而均匀的近似棚光。
影调
早期反差刺眼;后期均匀、直白。
质感
颗粒与眩光,之后是干净的大画幅。
情绪
攻击性,然后临床式。

资料来源

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Photography Library › Photographers

Keizo Kitajima

北岛敬三 · 北島敬三

Facts

Life
born 1954
Nationality
Japanese

Awards

Style, as we read it

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

Photo Express: Tokyo (1979) was a monthly storm of flash-lit street pictures; New York (1982) hardened it into a slash of punk energy. Then the opposite: USSR 1991 and the Portraits series, formal, colour, exact.

Colour
Early black and white; later neutral, exact colour on a plain backdrop.
Composition
Early tilted, close, chaotic; later frontal and fixed.
Light
Flash in the street, then flat, even studio-like light.
Tone
Harsh contrast early; even and literal later.
Texture
Grain and glare, then clean large format.
Mood
Aggressive, then clinical.

Sources

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