摄影资料馆 › 摄影师图鉴
基本资料
- 生卒
- 1934 年 7 月 14 日 生
- 国籍或地区
- 美国
- 题材
- 街头、社会风景、自拍像
为什么是这个图标？
图标还在考证。我们还没有找到足够可靠的资料，说明哪样东西在这位摄影师的作品里反复出现，所以暂时用统一的相机图标，不硬凑一个。
重要画册与著作 已核实资料
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
摄影风格 主观解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
把社会景观塞进同一个画框：橱窗反光、电线杆、招牌和栅栏互相抢位置，他自己的影子还常常横在画面里。1967 年和温诺格兰德、阿勃丝一起参加现代艺术博物馆的新纪实展，后来又隔着租来的车的车窗拍美国。
- 色彩
- 黑白。
- 构图
- 密集、破碎的画面，电线杆和画中画框把视野切成好几块。
- 光线
- 普通日光，硬朗的影子，常常是他自己的。
- 影调
- 完整的影调，中灰偏多。
- 质感
- 锐利，颗粒细，全景深。
- 情绪
- 冷幽默、拥挤、面无表情。
反复出现的画面
- 透过满是反光的橱窗看到的街道
- 摄影师的影子落在陌生人身上
- 被车窗和后视镜框住的风景
代表作品
- Self Portrait (1970)
- The American Monument (1976)
- America by Car (2010)
相关摄影师
风格相近的摄影师 主观解读
按 FilmAnalysis 编辑的风格估计排列，说的是视觉语言接近，不代表师承、团体或相互影响。
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资料来源
上传一张照片，看看你的摄影语言最接近谁
Photography Library › Photographer Encyclopedia
Facts
- Life
- born 14 July 1934
- Nationality
- American
- Genres
- street, social landscape, self-portrait
Why this icon?
The symbol is still under research. We have not yet found sources reliable enough to say which object recurs in this photographer’s work, so a plain camera stands in rather than a forced choice.
Major photobooks and writings Verified record
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Photographic style Interpretation
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
The social landscape crammed into one frame: reflections, poles, signs and fences all fighting for space, with his own shadow often lying across the scene. Shown with Winogrand and Arbus in MoMA's New Documents (1967); later he photographed America through the windows of rental cars.
- Colour
- Black and white.
- Composition
- Dense, fractured frames; poles and frames inside the frame cut the view into pieces.
- Light
- Plain daylight, hard shadows, often his own.
- Tone
- Full tonal range, mid-grey heavy.
- Texture
- Sharp, fine grain, deep focus.
- Mood
- Wry, crowded, deadpan.
Recurring motifs
- A street seen through a shop window full of reflections
- The photographer's shadow falling across a stranger
- A landscape framed by a car's window and side mirror
Representative works
- Self Portrait (1970)
- The American Monument (1976)
- America by Car (2010)
Related photographers
Photographers with a similar style Interpretation
Ordered by the FilmAnalysis editors’ style estimates: closeness of visual language, not a teacher, a group or an influence.
Wikipedia
Sources
- moma.org (official or institutional)
- en.wikipedia.org (secondary)
- Wikidata (structured data)
Upload a photo and see whose language yours is closest to
