摄影资料馆 › 摄影师
高梨丰
Yutaka Takanashi · 高梨豊
基本资料
- 生卒
- 1935 年 2 月 6 日 生
- 国籍或地区
- 日本
著作与自传
摄影画册
以上只列初版年份；再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述，不等于经独立核实的史实。
获奖
风格解读
以下是 FilmAnalysis 编辑对其作品整体的概括，是解读，不是史实记录。
《挑衅》的创始人之一，却走向了相反的方向：《向着都市》（1974）把东京当作冷静而密集的清单，《町》（1977）用大画幅拍旧街区，《初国》（1993）用座机把整个国家勘测了一遍。
- 色彩
- 黑白，冷而均匀。
- 构图
- 密集、分层的城市画面；后期正面、正式的取景。
- 光线
- 平的日光、日光灯的室内。
- 影调
- 中等反差，两端都保留细节。
- 质感
- 从 135 的颗粒到大画幅的清晰。
- 情绪
- 分析、疏离、略带感情。
资料来源
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Photography Library › Photographers
Yutaka Takanashi
高梨丰 · 高梨豊
Facts
- Life
- born 6 February 1935
- Nationality
- Japanese
Books and writings
Photobooks
First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.
Awards
Style, as we read it
An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.
A Provoke founder who went the other way: Towards the City (1974) is Tokyo as a cool, dense inventory, Machi (1977) its old quarters in large format, and Hatsukuni (1993) the whole country surveyed with a view camera.
- Colour
- Black and white, cool and even.
- Composition
- Dense, layered city frames; later frontal, formal views.
- Light
- Flat daylight, fluorescent interiors.
- Tone
- Medium contrast, full detail in both ends.
- Texture
- From 35mm grain to large-format clarity.
- Mood
- Analytical, detached, faintly affectionate.
Sources
Upload a photo and see whose language yours is closest to
