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薇薇安·迈尔

Vivian Maier · Vivian Maier

基本资料

生卒
1926 年 2 月 1 日 – 2009 年 4 月 21 日
国籍或地区
美国
题材
街头

为什么是这个图标? 已核实资料

影子与双反相机:她常拍落在地上的自己的影子和映在玻璃里的身影;她通常用一台禄来双反相机拍照。

图标是 FilmAnalysis 原创绘制的普通物件,不是对某一张照片的复制。图标只是进入这位摄影师的一个入口,说明以下列资料为准。

重要画册与著作 已核实资料

摄影画册

以上只列初版年份;再版、译本和修订版见各书页面。自传和访谈里的说法是摄影师本人的陈述,不等于经独立核实的史实。

生平与著作年表已核实资料 圆点是核对过的年份:生卒、著作的初版、获奖。位置只精确到年;再版和译本不在图上。点一下圆点进入那本书或那个奖项。
192019401960198020002020生平出生,1926 年逝世,2009 年著作初版薇薇安·迈尔:街头摄影师,2011 年薇薇安·迈尔:自拍像,2013 年彩色作品,2014 年
用表格看同样的内容
年份事项内容
1926出生出生
2009逝世逝世
2011著作初版薇薇安·迈尔:街头摄影师
2013著作初版薇薇安·迈尔:自拍像
2014著作初版彩色作品

摄影风格 主观解读

以下是 FilmAnalysis 编辑对其作品整体的概括,是解读,不是史实记录。

一位保姆,用腰平取景的禄来相机拍了芝加哥和纽约四十年,几乎不给任何人看。方画幅,直面街上的陌生人,也常在橱窗里拍自己的影子。

她的街头照片里前景、中景、背景同时在起作用:前面是路人的背影,中间是主角,后面是城市。环境是故事的一部分。

自拍像里她很少直接露面,多借镜子、橱窗玻璃或自己的影子出现,有时藏在画面边缘。

色彩
禄来相机的黑白;后期用 Ektachrome 彩色。
构图
方画幅、腰平视角、主体居中且贴近。
光线
街头日光,常略从上方来。
影调
中等反差,完整的灰阶。
质感
中画幅的平滑,颗粒适度。
情绪
好奇、直接、有人情味。

反复出现的画面

代表作品

摄影故事 已核实资料

她 1926 年生于纽约,做了大约四十年保姆。

她拍了超过 15 万张照片,生前没有发表过。

她最常用一台禄来双反,从腰间取景。

创作理念 主观解读

以下是 FilmAnalysis 的编辑解读,不是史实记录。

她不为市场拍照,只拍自己感兴趣的东西,摄影是她过日子的方式。

相关摄影师

风格相近的摄影师 主观解读

按 FilmAnalysis 编辑的风格估计排列,说的是视觉语言接近,不代表师承、团体或相互影响。

维基百科

事实部分以下列维基百科条目为准。

资料来源

上传一张照片,看看你的摄影语言最接近谁

Photography Library › Photographer Encyclopedia

Vivian Maier

薇薇安·迈尔

Facts

Life
1 February 1926 – 21 April 2009
Nationality
American
Genres
street

Why this icon? Verified record

Her shadow and a twin-lens camera: Her own shadow and reflection recur in her self-portraits, and she usually photographed with a Rolleiflex twin-lens camera.

The icon is an original FilmAnalysis drawing of an ordinary object, not a copy of any photograph. It is a way into the photographer’s work; the explanation follows the sources below.

Major photobooks and writings Verified record

Photobooks

First-edition dates only; reprints, translations and revised editions are on each book's page. What autobiographies and interviews say is the photographer's own account, not independently verified fact.

Life and books in timeVerified record Dots are verified years: birth and death, first editions, awards. Positions are whole years; reprints and translations are not drawn. A dot opens the book or the award.
192019401960198020002020LifeBorn, 1926Died, 2009First editionsVivian Maier: Street Photographer, 2011Vivian Maier: Self-Portraits, 2013The Color Work, 2014
The same as a table
YearWhatItem
1926BirthBorn
2009DeathDied
2011First editionVivian Maier: Street Photographer
2013First editionVivian Maier: Self-Portraits
2014First editionThe Color Work

Photographic style Interpretation

An editorial summary of the body of work by FilmAnalysis: interpretation, not historical record.

A nanny who photographed Chicago and New York for forty years with a Rolleiflex at waist level and showed almost no one. Square frames, direct encounters with strangers, and self-portraits in shop windows.

In her street pictures foreground, middle and background all work at once: a passer-by's back in front, the main figure in the middle, the city behind. The setting is part of the story.

In the self-portraits she seldom shows herself directly. She appears in a mirror, in shop-window glass or as a shadow, sometimes at the edge of the frame.

Colour
Black and white on the Rolleiflex; Ektachrome colour later.
Composition
Square, waist-level, subject centred and close.
Light
Street daylight, often slightly from above.
Tone
Medium contrast, full grey scale.
Texture
Medium-format smoothness with modest grain.
Mood
Curious, direct, humane.

Recurring motifs

Representative works

Stories and Context Verified record

She was born in New York in 1926 and worked as a nanny for about forty years.

She took more than 150,000 photographs, and none was published in her lifetime.

She usually worked with a Rolleiflex twin-lens reflex, viewed from the waist.

Artistic Philosophy Interpretation

FilmAnalysis's editorial reading: interpretation, not historical record.

She did not photograph for a market. She photographed what interested her, and it was her way of living.

Related photographers

Photographers with a similar style Interpretation

Ordered by the FilmAnalysis editors’ style estimates: closeness of visual language, not a teacher, a group or an influence.

Wikipedia

The facts follow the Wikipedia articles listed below.

Sources

Upload a photo and see whose language yours is closest to